That’s the pointer the first author uses:
- http://www.ub.uio.no/english/about/people/ubodigit/andrega/
- See Publications: Gasparini, Andrea, & Culén, Alma (2012).
For item four (Typefaces for Dyslexia), I think OpenDyslexic meant _previously_ "at dyslexic.com/fonts.” The link seemed broken; so here’s a new one:
That article recommended ... a BDA Tech page (https://bdatech.org/what-technology/typefaces-for-dyslexia/), which indicated, “It is likely that line length, line spacing and font size are just as important" as fonts, and referred to Bigelow & Holmes 2014 post reviewing research:
In 2014, on GitHub, Niclas Darville (ndarville) shared a link to a ready-made Google Scholar search:
Two of the top three hits from that search today are behind paywalls.
French et al. (2013) may shed light on general benefits from alternative fonts. Rello and Baeze-Yates (2013) found, "Sans serif, monospaced and roman font styles significantly improved the reading performance over serif, proportional and italic fonts" (Abstract).
A Master's thesis from University of Twente by Leeuw (2010) examined one font in particular, Dyslexie. Leeuw's thesis is accessible on Google Drive.
References
- French, M. M. J., Blood, A., Bright, N. D., Futak, D., Grohmann, M. J., Hasthorpe, A., … Tabor, J. (2013). Changing Fonts in Education: How the Benefits Vary with Ability and Dyslexia. The Journal of Educational Research, 106(4), 301–304. https://doi.org/10.1080/00220671.2012.736430
- Leeuw, R. de. (2010, December 21). Special font for dyslexia? Retrieved from http://essay.utwente.nl/60474/
- Rello, L., & Baeza-Yates, R. (2013). Good Fonts for Dyslexia. In Proceedings of the 15th International ACM SIGACCESS Conference on Computers and Accessibility (p. 14:1--14:8). New York, NY, USA: ACM. https://doi.org/10.1145/2513383.2513447
The open, high priority Evidence discussion thread at GitHub is a bit tricky to find. So here’s the link:
ReplyDeletehttps://github.com/antijingoist/open-dyslexic/issues/46.
It would be wonderful if the OpenDyslexia font designer were willing to reach out now to find someone to do formal experiments with his font, wouldn't it?